Life, The Universe And One Or Two Other Things

Monday 7.05 a.m. I awoke early, as I usually do. I didn't see the point of taking Alfie out until it was lighter, which only begins to get light enough to venture out until around 6.30. Then I could hear the rain, rattling on the windows and thought to myself that Alfie wasn't going to like it, but there was no alternative, so we went out and it was raining slightly, not too heavy, but I think it was likely to become more serious as the day progresses.

Wednesday. 6.50 a.m. On Monday, I emailed Camphill about whether they were still insisting on staff and volunteers wearing face coverings. I'm really keen to get back to working there, because sitting in my flat on my own isn't very conducive to mental health, apart from anything else, and two years of being put under house arrest (or let's say, what has felt like house arrest, but what the government called 'lockdown', due to the pandemic.) haven't helped matters, being cut off from meeting people, for example, so going back there for one day a week had given me a focus and I really enjoyed being there. I soon had a reply and the response was good! No more face coverings, and you only have to do a test if you show symptoms of covid. As I've had all my doses of the vaccine and last week I had my booster jab. So, I'm planning to go back and work with the guys in the theatre workshop. Yesterday I was sent an email in order to sign up to do an online course concerning the various aspects of care, such as manual handling, infection control, fire safety and a whole host of other areas. I managed it, although I had to do it in stages as it took around two hours in total. I also did an application for my disclosure certificate, which you need to have if you are working with vulnerable groups such as learning disabilities, which the client group is at Camphill. I have to go to Camphill tomorrow (Thursday) with a bundle of documentation in order to get signed up officially, although I did this initially when I started there back in around March-April 2019. So, let's just say I'm a bit excited about going there next Tuesday and can't wait to see the guy's faces when I walk in the door!

3.25 p.m. I've mentioned that I have recently signed up to the streaming service, Britbox. I am more than pleased with their offerings, a lot of ITV, BBC, Channel 4 and Channel 5 stuff to view. I have already enjoyed 'The Avengers', the brilliant 1960s show with Patrick McNee and Diana Rigg. Really over-the-top entertainment and some of the stories are unbelievable, but they are done with such style that you can forgive some of the craziness, which actually makes the show so watchable. Yesterday evening I began watching the Granada TV version of Sherlock Holmes, with Jeremy Brett as Holmes, in the first story adapted, 'A Scandal In Bohemia.' I can't see any television station in today's broadcasting landscape making such a well-produced series as this, the period details, sets, costumes and so on are amazing. There are one or two little points which are totally unbelievable, such as the ropey disguise that Holmes puts on i and which is so appallingly bad it would never fool anyone. The wig and sideboards he dons look as if they would fall off or at least be pulled off at the least provocation. Really unconvincing.

Sherlock Holmes

I have to admit to being something of a Sherlock Holmes fan. I got interested after I did some Walk-On work on one of the Granada Television episodes which was filmed in King's Lynn sometime in the late 1980's. The episodes which had Jeremy Brett in, and which, in my opinion, are some of the best renditions of Conan-Doyle's stories. The episode in question was "The Man With The Twisted Lip" and I was one of the street 'roughs' (for want of a better word.) It was supposed to be set in some back-street near the Thames in London, so the River Ouse (which comes out into the sea near King's Lynn, and runs through Bedford and Newport Pagnall.) was making an excellent job of standing in for the Thames! We were made up in really  awful costumes to be this street gang hanging about in the street near an opium den and Holmes is doing his investigations in disguise within the opium den and we are outside in the street. We had to queue up for lunch in this quite smart hotel restaurant in our awful tatty costumes and it must have looked quite odd if you hadn't realised we were filming for a television drama. 

From doing that bit of television 'Walk-On' I began to read some of the Sherlock Holmes stories, after watching the television adaptation when it eventually turned up on television a few months later. (I think the actual episode I was in was within the "Return Of Sherlock Holmes" series. I have since seen it again when it's been repeated on one of the digital channels, probably ITV2, but I can't be sure, but the Jeremy Brett episodes are always being shown on some digital channel or other. I have to say I do love them, the detail in them is remarkable. The production values are extremely high and they are extremely faithful to the original stories and in some cases they even reproduce the Sidney Paget illustrations very faithfully. They must have had a considerable budget in order to make drama of such amazingly high standards of production. I can't imagine television drama being made to the same degree of quality in today's television environment.)

Much has been made of the current 'Sherlock' series on BBC1 and starring Benedict Cumberbach and Martin Freeman. It's not the first time that the stories and characters have been up-dated to a modern setting, note the films made during the 1940's and starring Basil Rathbone. As much as I enjoy the new version and the way the writers have used modern technology to up-grade the whole Holmes world, I still prefer the originals. I have a magnificent set of annotated Sherlock Holmes stories which I bought through Amazon, called 'The New Annotated Sherlock Holmes' (not a particularly original title, I know, but never mind.) and annotated by Leslie S. Klinger and published by Norton. This work is in a set of three slip-cased volumes and in a large format and produced to an extremely high quality and there are enough notes and essays as well as most of the original artwork by Sidney Paget and other illustrators to keep most Holmes addicts very happy. I can recommend this annotated set of the stories highly. They sell for around £45 although you may find them for far less if you do a  Google search. I'm not sure now how much I paid for them on Amazon. The novels and the short stories come in two separate slip-cased sets and I can't now remember whether I bought them together or separately.

What is it about Holmes that is so intriguing? Is it the way he does his deductions? Is it the relationship he has with John Watson? Is it the fact that the more you read the stories, the more you discover about Holmes, what makes him tick, the fact that he is so enigmatic? I don't know, but the stories in general are so good, they keep you guessing, they make you want to keep 'turning the page.'  These are the things which makes good story-telling so brilliant and you can't fault Conan Doyle on this fact. Not all the stories are brilliant. The later ones, particularly those written after Conan Doyle bought Holmes back after the Reichenbach incident, due mainly, to public demand after he attempted to 'kill' Holmes, are not up to the same standard as the early ones, probably due to the fact that Conan Doyle had run out of ideas for him and the fact that he had by then got tired of the character, but they still have the same ability to intriguing the reader.