Thursday 13th August. 1.20 a.m. Not being able to sleep is no problem. Well, it shouldn't be. I have plays I'm working on, so I write a bit one, and then a bit more on the other.
1.15 p.m. Because it's August, there's no Thursday Lifegroup. We may have some sort of get together next week. I do hope so, because my routine is thrown out because of this holiday break.
I have a couple of plays in development. One I have mentioned in an earlier post, based loosley on the Rude Mechanicals 'Piramus and Thisbe' play-within-A-Play from A Midsummer Night's Dream,' and the other is going to become the first play in a proposed trilogy of plays, beginning in 1906, moving on to 1919, after the armistice, and the third and final play will be set in 1936, just after the Nazi's come to power in Germany. These plays revolve around one family, who live in a grand house, on the shores of Buttermere in the Lake District. I won't reveal any more, but I have more or less got each play sketched out and I know more or less how the third one ends. All set in one place, a limited number of actors in the cast, deliberately to help them be produced. I have a good idea what sort of thing a producer would be looking for in a new play, and one set, limited cast, simplicity of staging, would be in their list.
I have discovered a relatively new theatre which has opened in Cirencester in Gloucestershire, called the Barn Theatre. It opened in 2018, a conversion of former buildings and has an auditorium for around 300 people. They have a policy of staging new work, supporting new playwrights and do a lot of work in the community with schools and those who might otherwise be isolated. It sounds like a lovely place, not vast, not over-commercial and they have done plays that have moved to London, not necessarily the West End, but give new work a chance of being seen. So, this sounds the sort of theatre that my work could begin life, have a sort of nurturing, supportive home. I'm now hoping to get my first play edited and printed. My friend Mike and his wife Margaret, from Shenley Christian Fellowship, will read the play and make any positive comments so that I can edit any glaring problems from the script, before I have it printed and bound professionally. I think the term I am looking for is proof reading.
At rhis stage, I have not been in contact with the Barn Theatre, but once I have the script proof-read and printed, I can write to their Artistic Director, outlining my writing and hope at least get an interview.