A New Day, A New Dawn!

 Sunday 19th April. 9.05 a.m. Horrah! It's bright and sunny. The digital thermometer currently reads 25ºc, so there is a considerable amount. Just thinking that lifts my mood.

We had a social evening at church yesterday, and I did a reading of 'Growtiger's Last Stand,' one of the poems from T.S.Eliot's 'Book of Practical Cats' which was the basis for the Lloyd Webber musical 'Cats.' Other people did songs, some sung and some instrumental, and one young lad played the piano, and a girl did BSL (British Sign Language) to a Christian song. A good crowd of people and a lot of new faces, and certainly a success and there should be more in the coming months.

As a result of this and the positive feedback from people at church, I am looking into doing something I've wanted to do for years: working as a voice-over artist. Many years ago I saw an advertisement in the Guardian for a business called Gravy For The Brain, which helps people break into this line of work. They are not an agency, but provide training and mentoring for voice-overs. The person I spoke to on the telephone had a familiar voice, but I couldn't pin the name down. Having since done a search online, I now know his name, Peter Dickson. No wonder I wasn't sure of his name, but his voice is familiar, because he does the by now iconic voice for such television shows as The X Factor and Britain's Got Talent, and he's the voice of Channel Four. 

Wednesday 22nd April. 5.10 p.m. It's yet another bright and sunny day, except for a keen wind. The digital thermometer currently reads 25ºc, so quite an increase in temperature over the last week or so.

On Monday, I had to have blood taken for a test, as ordered by the doctor, the last time I had an appointment. As you may know, if you read my posts regularly, you will know the problems I  have giving blood and the fact that I don't like needles. The last time I had to have blood taken, it took two attempts at the doctors, and then I went to the hospital, where it was a success, so this time I was somewhat dubious of any success, but it went fine enough, without any problems, and now I just wait for the results.

World War 2 Weekend At Milton Keynes Museum

The weather is playing tricks at the moment. It started off this morning fairly chilly, so I decided on wearing my Regatta jacket, but as the day drew on the sun made an appearance and by the time I drove into the centre of Milton Keynes it was a good deal warmer. I had to get bank statements from the Nationwide and NatWest because of my application for a sheltered housing place. I had to spend most of Saturday morning searching for the tenancy agreement, which was rather a tiresome job but it came to light, fortunately.

I've never visited Milton Keynes Museum before. I went to the special event held over the weekend, the theme being World War 2, presumably because this year is the 80th anniversary of the start. A lot of stalls laid out with period merchandise as well as people in the uniforms of various military units, army, navy and R.A.F. At midday there was a fly-past, I'm not entirely sure what planes they were, but nonetheless it was quite exciting to see them and I managed to take a couple of photographs of them as I'd taken my Canon digital camera with me. In one of the sheds, the one that has agricultural machinery in it, there was a demonstration of war-time dance, presumably the jitterbug or something similar. Really good stuff. The whole place was heaving, when I arrived there was a queue to get in and when I left, there was still a queue.

I have now bought a FitBit. I had a cheap version of one of these, bought off Amazon. It was alright, up to a point, it measured the number of steps I took and connected to my iPhone via Bluetooth and it meant I had a running record of the distance I had walked through another app which came with the iPhone, but the strap broke recently. More precisely, the buckle came apart so it wouldn't join together when worn on my wrist. I did an on-line survey and was part of a forum for the Times and Sunday Times and I was paid with a £50 John Lewis voucher. I had originally intended using it to buy a food processor, but thinking about it I decided that I wasn't going to get much use out of it and that it would probably spend a lot of it's time in the cupboard, and when I went into John Lewis the other day I had a look at FitBits, and then went into the food mixer department and looked at the food processors and decided that a FitBit was more useful. I had to make up the price difference with my own cash and it was purchased. I had to upload the FitBit app on my iPhone to get the thing working as you have to upload the relevant software, but I couldn't get it to cooperate, so I rang the helpline and the lovely lady on the other end of the phone (surprised when it turned out she was in America, when she said 'Pacific Time.') and then managed to get the thing to upload the software and it was working within minutes.

On Tuesday I went to Camphill as usual. I can't believe it's six  months since I started volunteering there. The drama group are so lovely. They always ask me how I am and usually want to know how Alfie is and they know about Arthur, my third grandson. I show them photos of them both on my iPhone. Regardless of their disabilities, they always try their best in the drama workshop. It's quite moving when you come to think that some of them can't read, so Teo, the leader, has devised a method by which they can use a sign to suggest certain words and the dialogue is written in verse so it's easier to learn. We are still rehearsing the complete 'piece' which means more or less taking it to pieces and re-assembling it with the transitions between scenes. It shows them how different it is to making the video, where you stop and start, film from different angles and do re-takes to get the best take before the whole is assembled in the edit. The idea is that all the actors are sitting in a sort of arc around the stage and then enter for their particular scene. There are a couple of screens either side of the playing area which can be used for costume changes.

Teo has asked me if I'd be interested in working with several of the other volunteers to created a new drama piece. It's just that I haven't been involved with 'Stranger Danger' since it's beginnings (something like four years in the making, apparently.) and he thinks it would focus my abilities elsewhere if I get involved in creating a new piece of theatre. This will be separate from the 'Treasure Island' project, which we haven't worked on for several weeks.

As we've gone through the play, one of the volunteers has been taking notes, which will show all the new details, such as scene changes, rather like my job when I was a D.S.M. and had to note all the moves, scene changes, setting of props etc during rehearsals when I worked in stage management. Putting it directly into the spreadsheet software of the script (actually it makes so much sense, even though it would never occur to me to write a script using spreadsheet software, because you have several columns which allows for stage directions, or notes such as what goes where and who does what.) I have to say the two girls who are volunteers really throw everything they've got into the work with the drama workshop and are just so brilliant to work with.

In the afternoon, during the run-through of 'Stranger Danger' (which is really developing well. A lot more comedy is coming out and several of the volunteers and support staff are being involved, although none have speaking parts. Some help with scene changes, setting and striking props etc etc.) we had a visitor. I'm not entirely sure if I got his name right, but he was a runner-up in the ITV talent show 'The X Factor.' I can't remember his name. But he and his wife, who is American, run a business which helps with promotion for businesses such as theatre, and they say that they can help create a website for the Chrysalis Theatre and love how Camphill is run, the ethos behind it and the calm and friendly atmosphere. They were impressed by 'Stranger Danger' and the message it conveys.  Once they'd seen the rehearsal, coming in towards the end and then we ran it from 'The Top' so they saw the complete 'piece,' there was a question and answer session with the guys, and it was great for them to meet someone who they're likely to have seen in 'The X Factor' on television. Sorry I can't remember his name, but when I remember or I discover what it is, I'll post it on here.

Crass and Stupid Television

Why is it that Saturday evening television has to be so dire? Around 6 o'clock and the schedulers seem to think we want to sit through ropey game shows with a voice-over who shouts at us. Stupid games,  played by 'celebrities' jumping into water, bouncing on huge inflatable balls, being soaked, covered in mud and generally acting the complete and utter fool. Such is the description of the current show on BBC1 'And their Off For Sport Relief.' So, I hear you say, it's for charity. Well, it might be, but does it have to be so dire? I know they want you to phone or text to donate money, but why come up with this total load of drivel. A couple of months back the BBC gave us something which was hosted by Len Goodman, the former 'Strictly Come Dancing' head judge, called 'Partner In Rhyme.' Truly awful. But it could hardly be any worse than something called 'Don't Scare The Hare,'  which filled the same slot a few years ago. The worst aspect of these shows has to be the awful, loud audience reactions. Do the sound engineers on these shows just turn up the volume on the studio audiences? This was no better than something dreamt up for school kids in the 1970's. I realise they are intended for 'family audiences,' but they could have come up with something a little more intelligent than this. I don't expect 'Mastermind' or 'Only Connect,' but this was far too down-market. Just filler of the worst possible sort.

I had the misfortune to watch ITV's early-morning television effort when we visited the hospital on Friday. There's very little news-worthy material in it, from what I saw. Aimed at an audience who just wants trivia, celebrity gossip, soap-news and not a lot else. The set looked remarkably like a branch of Carphone Warehouse. No wonder the BBC gets higher ratings when this is all ITV can come up with. Just not worth watching. Every five minutes they keep flashing up 'coming up next' along the bottom of the screen. The graphics are far too busy and annoying. I seem to recall, when the government was busily auctioning off the ITV franchises, when was it, in the 1990's, someone saying that ITV wouldn't 'dumb-down.' How wrong could they be? Can't get more dumber than this. Sorry, but when TV-AM had the breakfast contract it was far better than this. How things have moved on, or possibly not. I reckon it's aimed at an audience with the concentration-level of a goldfish.

I have mentioned my dislike of 'Strictly Come Dancing' in an earlier post. It must be extremely popular, which would account for the fact that it's been running every year since 2004. I have no complaint about the actual dancing, it's the hype and ballyhoo that surrounds it that I can't stand. There seems to be an over-abundance of 'talent' shows on both main channels. 'The X Factor' rules on ITV which also has 'Britain's Got Talent,' whilst the BBC had 'The Voice' for several seasons until ITV took it over. Why so many so-called 'talent' shows? Does Britain REALLY have talent? I'm not sure, but endless similar shows is annoying. The BBC sees fit to foist yet another on us, called 'All Together Now.' I have yet to watch it. Do those who win these shows find real or even imagined 'fame and fortune?' Usually they last for a few years and then fade away. Proving that you do need some sort of talent to survive in a get-rich-quick world. Th television companies must make a great deal of money out of the 'phone in' element of these shows. You have to telephone the numbers that flash up on your television screen after each dancer or singer has done their bit so that you vote. A certain percentage of the cost goes to charity (in the case of 'Strictly Come Dancing.' I think it goes to Children in Need.) and the rest no doubt gets taken by the television company.

I know, I know! I hear you saying, 'well, if you don't like it, don't watch it!' which is fine. I shouldn't. But you have to admit that watching something that is awful has a sort of 'car-crash' element to it, to see how bad it it, a sort of 'so bad, it's good', if you get my drift. And with so many other channels on Sky, there is plenty of other stuff to watch. Just thank goodness for Channel 4, BBC Four and the brilliant Sky Arts channel.

I shall end this post here, but I'm sure to find more in the days and months ahead to add to my thoughts on this vast subject.