Why is it that scriptwriters, as well as directors, use lazy clichés in television drama, particularly soap? Things that annoy me such as when a scene is supposed to be night time and the action is outside and dark, it's always lit so that you can see the characters and the action perfectly clearly. Why is it so light? Where is the light coming from? The moon isn't always full at night, or if it is it's not always clear and cloudless. It's just rather corny. I bet if I go outside at night and there's no street lighting and there's the chance of it being a full moon, I don't somehow think I'm going to be able to see that well and certainly not other people, regardless of how close they are to me. And it's always a sort of false moonlight-blue sort of coloured light. Why? If it streetlights it more likely to be that orange sodium light that are more common these days.
Why is it when a character in a drama, particularly a soap, is searching for something on the internet, using a search engine such as Google (although for some reason, another cliche, they never actually use Google, which anyone else would use, they use a made-up search engine which nobody else in real life would bother to use, basically because they couldn't use a named 'brand' particularly the BBC, which tries it's hardest to disguise a known name, otherwise they'd get done for advertising. Probably ITV could pass it off as 'product placement' and then get paid by the company.) Anyway, returning to this character using a search engine. How is it that when they're searching for something or other, they always manage to find exactly the right website and THEN, once they're on it, they find the bit of information they're looking for, if it's a detective story, the detective finds the vital bit of information which will lead to the murderer or whoever. Too corny by half. Another one, when there's something someone wants to hear about, such a news item, how is it, when they turn on the television or perhaps a radio, it just so happens to be EXACTLY the right bit of news on when the set comes on, at just the right time, with exactly the right person or thing that they wanted to know. The headlines on the front of a newspaper just HAPPENS to be about a particular incident, a murder, a police investigation, which is the main subject of a particular television drama, how is it it is on the front of the paper at that particular moment in time, or if it's inside the paper, when a character is looking for it they find it so easily, without making any effort to search for it? If I was looking for a newspaper article I imagine it would take a good deal of time and effort before I discovered it, having waded through many pages before I found it. Totally unrealistic. I realize that television drama isn't always supposed to be REAL, but at least make it believable. I know it speeds up the action, but why does it have to be so UNREALISTIC?
In a soap, particularly EastEnders, so many of the characters find it difficult to communicate logically. Why are they endlessly searching for another character? Why not just use their mobile phone and RING UP the other character or text? Wouldn't you do that in real life? They do seem to spend an amazing amount of time on this search for so-and-so. Again, crazy and unrealistic. Just another cliche.
In soaps, why do so many of the characters put up with the generally awful surroundings they live in? In EastEnders or Coronation Street, why is it that someone like Ken Barlow, who had a degree, became a teacher, then ran a local newspaper (amazing and very unconvincingly, all on his own. How come? Was he editor as well as reporter etc etc.) He then became a local councillor or something, and ended up as a (wait for it) trolley collector in a supermarket! Crazy and unrealistic. How many wives has he had and why has he spent his life living in a somewhat rundown back-street in a Manchester suburb? Why on earth didn't he move away years ago? Totally ridiculous and crazy sort of thing for a man with his academic ability. In real life, how many people remain in exactly the same street they were born and raised in and then went to university and then come home and spend the rest of their life in? I know a soap isn't supposed to be like a documentary, but at least make it a bit more convincing. I know I wasted a lot of my time watching Corrie for years and years, but I haven't seen it for more than 10 years so I'm somewhat out of date with the characters and plots, but I don't imagine things have moved on much.
In other forms of drama there's got to be some sort of journey for the characters to go on as the story develops. The central character has to change as things develop, he/she should be different at the end of the story, at the climax of the plot, to have learnt a lesson to some or a greater extent. In soap opera the characters never seem to develop, to learn from their mistakes and try to change things. They're not supposed to, because the audience expects things to be safe and cosy. To retain the audience it's no good having the characters change too much. That is what makes soap so popular, the fact that you know exactly what you're going to get each time you tune in. It's a sort of familiar and safe place for your returning audience. Make too many changes, such as writing out characters to frequently or changing the location, you'd find you would loose your audience in droves and a soap is really there in the schedules as a ratings winner. The fact that a soap is set in one location, such as a Manchester suburb street, a square in the East End of London means that it's a good deal cheaper to produce with fewer sets which can be reused endlessly and cuts down the expense of producing the show. Also, with a large cast of characters they can have virtually endless plots created for them, even if they are actually recycling the same sort of plots week after week and year after year.
I can see why soap is so popular, but for me they're just full of stock characters and cliched plots that are, as I've already mentioned, recycled endlessly. I can't stand the fact that most storylines go one ad infinitum. I want plots that come to a definite conclusion some how or other and characters that change. We always get a 'big story' breaking over the Christmas period. Who'd ever get married in a soap? There's always a big bust up or some 'reveal' whenever there's a wedding, or someone who's been out of the show for years suddenly makes an appearance or a long-lost relative makes an appearance or the illegitimate child of someone appears who didn't realise they even existed. Or as I say, at the big Christmas dinner there's an almighty bust-up or another 'reveal.' Just think Angie Watts and Den, when Den gives Angie the divorce papers on Christmas Day, perhaps one of the first big 'events' in the early days of the soap.
In other forms of drama there's got to be some sort of journey for the characters to go on as the story develops. The central character has to change as things develop, he/she should be different at the end of the story, at the climax of the plot, to have learnt a lesson to some or a greater extent. In soap opera the characters never seem to develop, to learn from their mistakes and try to change things. They're not supposed to, because the audience expects things to be safe and cosy. To retain the audience it's no good having the characters change too much. That is what makes soap so popular, the fact that you know exactly what you're going to get each time you tune in. It's a sort of familiar and safe place for your returning audience. Make too many changes, such as writing out characters to frequently or changing the location, you'd find you would loose your audience in droves and a soap is really there in the schedules as a ratings winner. The fact that a soap is set in one location, such as a Manchester suburb street, a square in the East End of London means that it's a good deal cheaper to produce with fewer sets which can be reused endlessly and cuts down the expense of producing the show. Also, with a large cast of characters they can have virtually endless plots created for them, even if they are actually recycling the same sort of plots week after week and year after year.
I can see why soap is so popular, but for me they're just full of stock characters and cliched plots that are, as I've already mentioned, recycled endlessly. I can't stand the fact that most storylines go one ad infinitum. I want plots that come to a definite conclusion some how or other and characters that change. We always get a 'big story' breaking over the Christmas period. Who'd ever get married in a soap? There's always a big bust up or some 'reveal' whenever there's a wedding, or someone who's been out of the show for years suddenly makes an appearance or a long-lost relative makes an appearance or the illegitimate child of someone appears who didn't realise they even existed. Or as I say, at the big Christmas dinner there's an almighty bust-up or another 'reveal.' Just think Angie Watts and Den, when Den gives Angie the divorce papers on Christmas Day, perhaps one of the first big 'events' in the early days of the soap.
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