Heart attack

Wednesday, April 01, 2020

Lockdown: The Sequel

Well, what else could I call yet another blog post, when there's not a great deal going on? I've been out for the second walk with Alfie. I was expecting to see that little robin in the tree again as I walked along Strudwick Drive, but he wasn't there this morning. We crossed over Oldbrook Boulevard onto the green and I decided to walk across the grass instead of making the circular route we usually take. I came across several strange circular grass shapes in the grass, which has been partially cut recently. I'm intrigued to know what they are for or what they represent. Alien spaceship landing sites? For some sort of sporting action, such as American sports, such as baseball? Probably not, bt does it matter. Then I spotted something in the grass. A £2 coin! So it was worth walking over the grass after all! That can go into my change pot I have on my bookshelf.

I have been watching a really interesting series on BBC 2 called 'Portillo's State Secrets," which goes into detail on a handful of British historical events and uncovers secrets which have been kept hidden until now. Michael Portillo, a minister in Margaret Thatcher's government, seems to have made quite a successful career as a television presenter, most famously the one about Britain's railway system, called "Great British Railway Journeys," and using the Victorian traveller's guide "Bradshaw's" to see how things have changed in the intervening years. He has a certain engaging style. He's a natural television presenter, but I do wonder at times about his sense (or I should probably say, lack of in some respects)fashion, because his gaudy array of jackets, which can be only viewed when wearing sunglasses, seem a little outlandish, to say the least. This series has been buried on BBC2, and I had no idea it was on until I saw it in the E.P.G. (Electronic Programme Guide)  of Freeview, a few weeks ago when looking for something to watch. I think this is a repeat, but, as I say it has been hidden away without any sort of trailers or announcements that it was on. Typical, come to think of it. Such drivel as Strictly Come Dancing and EastEnders, or Holby, or Casualty get trailed to death, but anything worthy such as this programme get ignored. What is the sense of that? Come on BBC, do come to your senses. You make excellent programmes, or, at least, commission them. Live up to your Public Service Remit, and give such programmes more publicity.

(Thursday) We had our first Zoom coffee morning this morning. It was 'lead' if that's the word, by Ross and around 17 other SCF regulars joined. It has taken me some time to get the Zoom software to work successfully and I wasn't sure whether it was going to work. I have it on this computer, my MacBook Air as well as my iPhone. I couldn't get my image to appear on the MacBook, although other people could hear me, but I tried my iPhone and it work successfully on that, but it's difficult to use the iPhone, but you have to hold it up in front of your face so that the camera will photograph me. The MacBook has a built-in web camera, and because, when you fold up the screen it means the camera is at the right position to allow your face to be viewed, although you have to set the thing up so that the image it captures is sufficiently at the right angle to get your image central, without it looking strange because it's an odd angle. Also, make sure your background isn't distracting, best done against a plain wall if at all possible.

I managed to watch the National Theatre production of 'One Man, Two Guv'nors,' which was streamed on YouTube yesterday evening. I had wanted to see this when it was originally staged, and it certainly didn't disappoint. Exactly the right sort of thing needed at the moment. As I've said earlier in this post, there is just far too much mention of the coronavirus pandemic on television, BBC in particular. This came at exactly the right time. Good old-fashioned knock-about comedy, based loosely on Carlo Goldoni's play 'The Servant of Two Masters,' craftily re-written to appeal to a modern audience. It was the play that kick started James Corden's acting career.

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