Heart attack

Showing posts with label Sky Atlantic. Show all posts
Showing posts with label Sky Atlantic. Show all posts

Sunday, January 21, 2018

Reading and Watching-1

As I've mentioned in an earlier blog post, I have an interest in history. Our lounge is full of books, infact, one of the two IKEA bookshelves, which we bought from the house in Crownhill when we had to move (see earlier blog post for more information on this.) is crammed full of books and magazines, one of which is in serious need of attention as it's not fixed to the wall, and leans at a slight angle. Many of these books and magazines are on history. I'm always looking for more history books to read and such shops as The Works are always good places to find a bargain, the last one being on The Norman Conquest' and another on 'The Battle of Waterloo'. We have now managed to order a new bookshelf unit on the IKEA website. Paid for and it will be delivered next Thursday. We decided to have it delivered as it would unlikely not fit in the car, so to have it delivered means someone else will have to lift it into the house. As we have a similar unit in our bedroom it shouldn't be too difficult to assemble and it's possible to buy baskets, drawers and boxes which can be slotted into the unit to make it even more flexible.

I've been reading 'Never Had It So Good,' by Dominic Sandbrook. It's 'A History of Britain From Suez to The Beatles.' Which is about all you need to know about the subject matter. I read a later volume of his set of history books called 'Seasons In The Sun,' which takes his series up until 1979. At the time I read it, I was unaware that it was the latest in a series of books (of which 'Never Had It So Good' is the first.) So I decided I wanted to read the series from the beginning and managed to buy all the books on Amazon. As I lived through the period covered, I thought it would we worth a read, although I wasn't old enough at the time the first book covers to be aware of the incidents recorded, such things as the Suez Crisis or the Profumo Affair or the 'Night of The Long Knives.' As with any account of history, it's interesting to see how we got to where we are today, what with Harold Macmillan's attempts at negotiating a possible membership of the Common Market or 'European Economic Community,' as it was called in the late 1950's and early 1960's (now the E.U.) and how the President of France, Charles De Gaulle kept blocking our entry. Interesting when you compare it with the Brexit negotiations following the Referendum vote to leave over the last few months.The rest of the Sandbrook series are 'White Heat,' and 'State of Emergency,' which I will read in the fullness of time. Each book is very thick; the first book is some 800-900 pages long.

I'm a real fan of Alan Bennett. I enjoyed the plays he wrote for the BBC in the 1960s and 1970s, in particular the very first one called 'A Day Out,' which was made in black and white and about a group of men who go on a bicycle ride in Yorkshire and set just before the First World War. Not a great deal happens, but his attention to detail, particularly his depiction of the individual characters is very detailed. It's directed by Stephen Frears who went on to make some large-scale cinema films such as 'Dangerous Liaisons' and 'The Queen.' Alan Bennett is interested in the small things in peoples' lives, the every-day, the mundane. He has also written for the stage, most notably for the National Theatre, with plays such as 'The Madness of King George III,' and 'The History Boys.' I have read most of his diaries which get published on a  regular basis, and was given the latest collection, covering the millennium, and called 'Getting On, Getting On,' and given to me as a Christmas present by Carol last year. I am about to read it.

I've watched the first episode of the new Sky drama series, "Britannia," which is on Sky Atlantic. It's set in a Celtic Britain at the time that the Roman invasion is about to take place. It's somewhat preposterous, so if you watch it don't expect an accurate history lesson. I had serious doubts about this when I first heard it was being planned, but it turned out to be a good deal better than I expected. It has David Morrissey as the Roman general (I assume he's a general) who leads his troops across the Channel and then pillages and burns the Celtic villages and murders a few in the process. It also stars Zoe Wanamaker as a sort of tribal leader. Another actor who is in it is Iain McDiarmid, who I have a connection with as he was in the company when I was working as an A.S.M. at Liverpool Playhouse in the early 1970s. I did the book for a production of Alan Ayckbourn's play 'Relatively Speaking,' which also had Thelma Barlow in the cast, who went on to play Mavis Wilton in 'Coronation Street.' It's good to see Sky producing stuff which at least has some sort of British connection, however accurate it is. I notice that all the episodes are available to view on catch-up, obviously in an attempt to follow the same principle as such on-line television services as Netflix and Amazon, where all the episodes of their shows, such as The Crown are available to view instantly. Apart from some strong language (which, frankly, adds absolutely nothing to the thing in my opinion.) it's a good rollocking yarn and will no doubt attract a young, male audience, who no doubt enjoy such shows as 'Game of Thrones,' and a good many video games. I shall watch the rest of the series with interest.

I'm glad all the episodes of 'Britannia' are available as a box-set, because you can watch all the episodes one after the other if you so wish. I've watched the second episode. I'm really hooked on this show and can't wait to see the next episode. It's got a real 'have to watch the next episode' something about it, rather like a good novel where you can't put it down. Generally I need to get through about 15-20 minutes of a new drama series to know whether I'm going to continue watching and this certainly has that 'something.' Unlike a lot of similar shows, the dialogue is convincing. They seem to have avoided the somewhat stilted dialogue that you tend to get in a lot of dramas set in a 'certain period,' and the whole thing is rather tongue-in-cheek, it doesn't take itself too seriously. It has a sense of humour as well. And they haven't made it pretentious in any way, unlike a lot of costume dramas that are precious and rather unrealistic, not that you can make a show set in 43 A.D. as nobody knows what they spoke like. It's not exactly historically accurate, but who cares? Definitely entertaining and that, in all honesty, is what one needs at the moment. The fights are convincing, too, and you get the feeling that the Romans have more than a hand-full of soldiers in their invading army, they've spent quite a lot on extras to fill out the scenery. 

Thursday, April 20, 2017

Motorised Television Comedy

We currently have three comedies on television which use the basic format of a journey as it's set-up. The first one I enjoy is "The Trip To Spain," which is on Sky Atlantic. It has Steve Coogan and Rob Bryden as two friends who are on a trip to Spain (well, that's original, considering the thing is called 'The Trip To Spain.") Coogan is a food writer for a paper. In the first series (Incidentally, shown on BBC2) they journey around the north of England, mostly in the Lake District, and the second, they go to Italy, (also on BBC2)It intrigues me as to why the BBC didn't go with this third series. Surely it can't be due to cost. It can't be a particularly big-budget series. I was under the impression that they had some sort of production deal with Coogan's company, Baby Cow. What I love about this is the free-wheeling style (not surprising, considering it's set mainly within a car on the road.) and the way it's hard to decide whether it's 'real' or 'fiction.' What I mean is, Coogan and Bryden play themselves. Coogan has spent many years as another character, Alan Partridge, but in this he is himself. Where does the line end? It's difficult to tell. I'm interested to know how much is actually scripted and how much is improvised.

The second series is on BBC Four, although, with BBC iPlayer and 'catch-up' television, it really makes no difference which channel it's on. The show is called 'Bucket' which isn't much of a name and wouldn't draw me to it if I was unaware of it's theme, the actors in it and so on. It stars Miriam Margolyes as a 70-something woman, who goes on a journey with her daughter with who she has a strange sort of relationship. The 'bucket' refers to the bucket list of things she wants to do before she dies. She reveals as the first episode progresses that she has cancer and the daughter (played by Frog Stone, who also wrote the series. Is that a genuine name or is it a pseudonym? Just odd. Who'd call a child Frog?) It's certainly off-the-wall and worth a look, even if it's just to see the great Margolyes who is a fine character actor who doesn't seem to fit any particular mould, thankfully. Great to have something which allows an older character to be presented in a non-stereotypical way. There are only four episodes, which is a shame. I suspect the good old BBC got cold feet. They didn't want to commit to more, for whatever reason. Cost. Hardly. Not particularly big budget drama, this. No C.G.I. or expensive locations or sets. Not sure it wouldn't find an audience. If it's on BBC Four, surely it would appeal to a different sort of demographic to the one you'd have if it was shown on BBC1 or BBC2. It's certainly different and original. I'll be watching the remaining three episodes. It seems that none of the 'traditional' television channels (referring to 'live' broadcast, such as BBC, ITV etc.) don't want to take too many risks. The other platforms, i.e.. Sky, Netflix, Amazon etc etc., seem more likely to take risks with more episodes and more what I'd call contentious or dangerous material. The BBC  and ITV seem far too concerned with things being either 'non politically correct or just steering clear of anything that might be considered offensive in any way. I don't agree with upsetting anyone, either racial, religious or whatever, but if you're just going to produce things that are easy, non-demanding, you just end up with bland, flat material that has no purpose, other than being ratings fodder, which is a shame, because, in the past, the BBC, in particular, has produced shows which have been sharp, funny and extremely clever, think, 'Fawlty Towers,' Blackadder,' 'Not The Nine O'Clock News and so on. Or ITV with things such as 'Spitting Image.' 

The third series I want to mention is 'Car Share.' This is now in it's second series. It's written, as well as stars and directed, by Peter Kay. It has a very simple format, a manager of a North of England supermarket 'car-shares' with a co-worker, played by Sian Gibson, who co-writes the show. It's set almost completely within the confines of a car, driven by Kay. It must have made production of such a show extremely difficult. Having been a huge success when the first series was aired, it's great to have this second season. It was originally first only available on iPlayer but then all episodes were broadcast weekly on BBC1 and proved one of the most downloaded shows ever, apparently. This second season seems to be doing equally well. The one advantage of being able to download via catch-up and other services, is that you can have all current episodes or entire 'box-sets' of series available and you can watch when you want without having to wait for the next episode.