Telly Watching- Part 2

I may have to watch 'Line of Duty,' which seems to be very popular and has had extremely high viewing figures. All the episodes are on BBC iPlayer, so I should be able to watch this series. There's been around six series so there's a lot of episodes to get through.

As mentioned in the previous post about 'The Repair Shop', 'Money For Nothing' and 'Saved and Remade', it seems that once the BBC gets the 'bug' with certain genres of shows, they seem to think we'll fall over ourselves to see similar formats. So we get endless cookery shows together with antiques, although it seems this area has slowed down somewhat. 'Flog It' was really a rehash of 'Antiques Roadshow' but with the difference in that the items which are valued by the experts are then sold at auction. I often think that people who go on these shows are only interested in the cash value of their items. Surely you have some sort of emotional attachment to antiques, value their historic value. If you inherited an item that was owned by an ancestor who did something heroic or made some ground-breaking invention or had a fascinating life or was just an ordinary person, surely you'd want to keep it and then pass it on to the next generation. I often think that when medals are shown and there's a provenance attached to them, certification of some sort of a letter, that gives the item, in this case, medals, tells the story behind them. Then people turn round and say 'it belonged to uncle Cuthbert, but I don't like it. It's been in the cupboard or drawer for 25 years and we never look at it, so we might as well sell it.' A bit annoying and, frankly, crazy.

There's not a lot of sitcoms on television at the moment. By sitcom I mean in the classic sense, usually set in a house with a sofa, family orientated. Think 'The Good Life.' (Although there is no actual family in this show. Both couples, the Leadbetter's and the Goods, don't have children.) Usually shot in a studio with a live audience. The one I am about to mention is 'My Family,' which I am watching on BBC iPlayer. It must be some 20 years old (or at least the episodes I have reached.) There's nothing particularly brilliant about it, in fact, the actual events in it are somewhat mundane, it's just the performances of the two lead actors, Robert Lindsay and Zoe Wanamaker. They could make the Telephone Directory funny. I suppose it's the chemistry between them that makes it work. There's nothing very special about the scripts, in fact, they might be described as very ordinary and mundane. It's the actors, particularly Zoe Wanamaker and Robert Lindsay who make it what it is. If it was cast with other actors I don't reckon it would have the same appeal. 

How do you define a sitcom? Interesting question. Usually, a sitcom can be defined as a short-form drama, on television or radio, with a small cast of characters and with an easily identifiable location, a street, home, or workplace, the characters being a family, workplace, or otherwise connected in some other way.  Traditionally, they run for 30 minutes, but longer episodes have been made, but they are rare. Each episode tying up within the running time (usually 30 minutes.) and not always connected to the next episode, although there may be some connection vaguely hinted at. They rarely continue storylines across episodes. Characters never seem to learn from their mistakes (the same in your average soap.) Good story-telling usually requires that a character goes on a 'journey' and by the end of that story they have changed from how they were at the beginning and as a result, they have learned something. The sitcom, in the traditional sense, performed in a studio with a live audience, seems to be dead. The likes of 'Steptoe and Son', 'Fawlty Towers, 'The Good Life' and 'Keeping Up Appearances' have virtually died. Most modern sitcoms, if the term can still be applied to this form of television, are mostly made on film, or at least, video, without an audience. That may not be such a bad thing, as a cackling audience doesn't always help the show. Except for the actors who can time their lines to the audience's reactions, laughing, clapping, or whatever. There are a handful of sitcoms that are made on location, on film (single camera) which don't have a cackling audience in the background. One such being 'Bloomers' and another, which doesn't really fit the term 'sitcom' and that's 'Car Share.' It could never be made in a studio and the fact it's filmed on location adds to the realism.

Telly Watching- Part 1

At the moment we seem to be having a lot of similar television programmes which feature making-over or repairing items of furniture, toys, clocks, bicycles and so on. It started a few years ago with 'Money For Nothing,' where a restorer/maker/designer goes to a tidy-tip and rescues items of furniture and other things before they end up in the skip and are crushed. They then take the item to specialist designer/restorers who transform them item and then the presenter sells the item for a profit and the money they make is given to the person who was about to throw it in the skip at the tidy-tip. What makes this programme so good is that we see how an old piece of furniture which was past its best can be transformed and the journey it goes on to become something stunning and the money it can make when sold. The reaction when the presenter turns up with the money which has been made after the work has been done on their piece of furniture is a treat. I'm really surprised myself because some items are sold at ridiculous prices.

I suppose there have been many other 'make-over' shows on television over the years, 'Changing Rooms' and 'Ground Force,' and more recently 'Garden Rescue', but they don't have the 'repurpose' element in them, although 'Garden Rescue' does sometimes use recycled items, such as railway sleepers and other items in their make-overs, but not to the extent this rash of shows have.

Then there's 'The Repair Shop.' This is intriguing. People bring items into the shop to be repaired, usually, items that have some sort of connection to a friend, a family member, probably who has died. These items are in a really sorry state, in desperate need of care and attention. For example, a valuable piece of porcelain, a vase or bowl, but some have no real intrinsic value, probably the property of a grandparent or friend, which has a sentimental story to tell, such as a rather tatty teddy bear which survived a house fire or a clock which someone inherited but accidentally got knocked off a shelf and has been left in a drawer because no one can repair it, is the basic format of this show. A series of craftspeople, each with their own set of special skills, manage to restore and revive these pieces. It is a good show, but the sentimental side is beginning to get a bit tiresome. It seems the producers are trying their best to wring every tear out of the people whose items are being repaired. This usually at the end when the 'big reveal' is made and they see their beloved heirloom in its newly-repaired state. There is so much sentiment and gushing that a person can take, surely. Or perhaps not. It's all about nostalgia, and as someone once said, 'nostalgia isn't what it used to be.' (I may have got the quote wrong, but you get a rough idea of what I mean. But, on the other hand, it's great to have a programme where people are actually NICE to one another. Probably accounts for the series success, particularly during the lockdown where people are crying out for something soothing and pleasant to watch. Remember such programmes as 'The Weakest Link,' presided over by the 'Queen of Mean' herself, Anne Robinson, who could make some quite nasty remarks and 'you are the weakest. Goodbye!' was her mantra? Or Craig Revill-Horwood, one of the judges on 'Strictly Come Dancing', who could make some quite nasty quips about the contestants? Done in the mode of a pantomime villain. Just to get a reaction in some respects, and to get people talking on social media and thus increase the viewing figures.

This 'nostalgia' theme is carried through in the fact that the show is filmed in an ancient barn in the  Weald and Downland Living Museum near Chichester. Then it's been styled with objects that give a suggestion of nostalgia, metal advertising signs, bric-a-brac, dried flowers, carriage lamps from a bygone era, and so on. Playing on a rather fake past, in some respects, seen through a haze of soft focus, horses grazing, gaslight, drifting fog, and so forth. Not really genuine really, because living in, say, the 19th century, might have been fine for the upper classes, but pretty terrible for the lower orders, especially those working in the factories and cotton mills in the north of England.

The last of this type of programme is 'Saved and Remade,'  which is Broadcast on BBC2. Members of the public bring in items that have become redundant or have no real purpose anymore or hold some sort of emotional connection (much the same sort of thing which holds 'The Repair Shop' together.) It might be a wedding dress, an ancient sewing machine, or a transistor radio. Specialist craftsmen and women then have to 'repurpose' these items into a useful piece that can still retain something of its original use which can be a functional item in the person's home.

It's good that the BBC is showing programmes to at least attempt to recycle things that would otherwise be sent to landfill, but I think that there is a limit to the same sort of programme. Perhaps these shows are being made at the moment where it's difficult to produce other types of the show under government covid-19 restrictions.  They seem to think that if one type of show is popular, such as cookery or antiques, that if they make more of the same, then the public will lap them up.

Fridge-Thawing and Chasing Cats

I spent most of Saturday morning de-frosting the fridge/freezer. I had turned the thing off on Friday night, because the third of the drawers I had ordered from Candy was delivered by Parcel Force on Friday morning. I cleared out the old drawers and had to bin a lot of stuff that wasn't worth keeping and the rest I put in a plastic box and took next door because Shelley and Garry allowed me to put it in their freezer until mine was ready for me to replace it in the cleaned-out and defrosted fridge/freezer. I should have left the fridge/freezer door open because it didn't defrost as quickly as I'd imagined, so early on Saturday I left it open and it seemed to thaw relatively quickly. I had put an old towel on the floor to try and absorb as much of the melt water as possible and it soon became like a tidal wave had hit and it ran all over the floor and under the table. I knew it would be a mess but I had to cope with it until the whole fridge/freezer was clear of ice. It was the fact that there was so much ice that caused the problem with the drawers breaking in the first place, so much that it was difficult to slide them out. The old broken drawers can be taken to the tidy-tip in Bleak Hall late next week, along with lots of other refuse, the packaging from the Panasonic microwave and quite  few other bits ad pieces which are hanging around the house. It isn't worth going until at least Thursday, because it's likely to be very busy, because people seem to use a Bank Holiday as an excuse to do clearing-out of their attic, garage or wherever they have unwanted stuff stored. The BBC1 programme, 'Money For Nothing' is based on the fact that people throw out old bits of furniture, either because they want to up-grade it, they inherit it from relatives or parents, it's not fashionable or else it's past it's best, broken and probably past repair. Sarah Moore, one of the designers who fronts this show, along with Jay Blades, takes these items away before they hit the skips (having got special permission to do this because you're not allowed to remove items from a tidy-tip otherwise.) and these pieces of furniture is restored and 're-purposed.' It's quite amazing to see what becomes of these pieces of furniture, sometimes transformed into bright, funky and quite striking pieces.

By mid-morning the ice had cleared from the fridge/freezer. I cleaned the shelves in the fridge section, taking them all out and wiping them as well as the shelves in the door. I was then able to turn the thing on again at the electric wall socket and it gradually started to freeze up, but not as much as it did before and producing too much ice. I think it will be more efficient, not having to work as hard and it doesn't seem to make quite as much as it did before and not producing a lot of melt water which gathered in a pool on the floor of the fridge section and trickling out onto the kitchen floor. So, around 10.30 the job was completed, and I wiped the outside of the whole unit along with the rubber seals in the door which had got very dirty. Job well and truly completed and the floor mopped and cleaned. I just have to make sure that it doesn't get as iced-up so that the drawers get broken again.

(Sunday) I had intended going out later than usual to take Alfie for his routine walk around Eaglestone Park. We got down to the area of grass where I usually let Alfie off his lead, but there was a black sat sitting in front of one of the houses within the park. Alfie wasn't slow in discovering it and the cat must have wondered what on earth had stuck it, because it shot off into the wooded area with Alfie in hot pursuit. I shouted at Alfie, but he wasn't going to come back immediately. I was concerned that the cat would run out and onto a road and that, if Alfie followed, he was likely to get run over by a car. But, having run after him and shouting loudly, he did eventually come back and I decided it would be best to put his lead on because I didn't want him running away, but usually he does come back to me, but knowing how he reacts to cats, I wasn't going to find out the difficult way.

Spring Sprung and Smart Meter No Go

(Monday)We were out earlier than usual this morning. Alfie can't wait to get out the door, he barely give me time to eat a bowl of breakfast cereal and drink a cup of tea. It was bright and sunny, but stlll chilly.

(Tuesday) I was surprised that there was ice on the car's windscreen this morning. I soon got rid of it with a spray of antifreeze. I had a good time with the drama students at Camphill. They are really good at remembering their lines. I had to stand in and speak for some of those who weren't available to rehearse.

(Thursday) Taking out Alfie for his early-morning walk (more like trot.) around Eaglestone Park, and we have been out well before 6.30. I don't know what the local residents think when they hear Alfie's barking as we leave the house. The trees are well and truly coming into leaf, intact the whole place is greening up well, so I think it's very clear to me that spring has sprung.

I'm clearing out more of Carol's stuff and have another two bags to take to Barnardo's in Oldbrook. The job is going slowly, but I'm getting there. Still not entirely sure what my situation is regarding accommodation, because I can't afford to stay in this house. I think I need to find a smaller home with one bedroom and with an enclosed garden for Alfie's safety. Infact, it needs to be dog friendly.

I've seen more birds on the feeding station. Although the lounge window is difficult to see through because the double glazing has got damp inside it and it's not possible to clean off. Whoever put in the double glazing in this house had absolutely no concept of the idea of how it works and the seal which is supposed to create a vacuum has been broken and this is what is causing the damp inside the air space between the two layers of glass. It looks really horrible, but there is very little I can do about it, and as a result it's difficult to get a clear view through the glass. It's a great shame, because it means I don't get a decent view of the bird station. It's the same with the window in my bedroom. That is really dirty and damp, meaning you don't get a clear view out.

I was expecting to have a smart meter installed tomorrow. This was after I got a telephone call from the company called Boost, who are part of OVO, around six weeks ago. We have been with Utility Warehouse in all the time we've lived at this house, but Carol was reluctant to change to a different supplier for our electricity and gas. We had a supplier come out around 2 years ago to install a smart meter, but when they inspected the cupboard (which is on the front outside wall of the house, facing the road.) they decided that it wouldn't be possible, basically because the gas meter is in the bin cupboard (outside) whilst the electricity meter is on the inside. If the new smart meter was to be installed they would need to drill a hole in the wall because they would need the cable to be installed in the smart meter. When Boost originally rang me, I told them there would be a problem, but they wouldn't have it. But the installers came TODAY! I had only just got in from doing some shopping. It was well I came back when I did otherwise they wouldn't have been able to inspect the cupboard. I never got any sort of communication from Boost to remind me which day they were supposed to visit, either a letter, an email or even a text message. I had to find their telephone number on line and then ring to confirm the day and time. It seems crazy that they couldn't communicate and then come a day too early! So, I will have to continue topping up the gas and electricity with the keys and card although it won't be in  smart meter which would make it easier as you can pay in a variety of way, via an app, or on line as well as with key and card, which you top up at a local shop.

Later. 3.25 p.m. It's really warm and sunny a few more birds flitting on and off the bird feeding station. I will have to fill the peanut feeder up. It's very low on food. I think the blue tits like this particular food. The other newer feeders don't seem to be so busy, or busy at all as I don't think any birds have visited them.

Later still. I was watching 'Money For Nothing' on BBC1. I had made a lovely cup of tea (actually a mug, but never mind) and had one of my own chocolate chip cookies to munch on. I was around five minutes into the programme (one of my favourite daytime shows.) when there was a knock on the front door. I was not best pleased that I had to get up to answer the door, but when I got there I discovered a man trying to encourage me to have a smart meter installed. What is going on here? He knew that I am on a pay-as-you-go tariff. I explained that I'd had engineers here this morning inspecting things with the idea of installing a smart meter and that they said it couldn't be done (see the above.)  He told me that I should get a lower tarriff because I couldn't have a smart meter installed. Whether this is going to happen I don't know, but this is beginning to get about as annoying as the constant phone calls telling me I can claim PPI. Which is crazy, because I have never had a loan on which PPI would have been paid.

(Friday) I've been attempting to get up in the morning a good deal later. I think it was habit to be up and about before 6 a.m. because that's what time I got up when Carol was going to work as a science teacher at Milton Keynes Academy. We would always start our day at around 5.45 with a cup of tea and watch BBC Breakfast. We'd then have a bowl of breakfast cereal and then Carol would go off to the Academy by around 7.15 a.m. She was always there about an hour before everyone else. Typical of Carol, working hard and usually sorting out other people's problems for them and not really getting any sort of reward or acknowledgement. So, this morning, I was more than keen to not get up quite so early, even though Alfie wasn't too pleased. So we went out at around 7.45. A lovely bright and sunny spring morning. It's certainly a good deal warmer than it has of late. The clocks move forward an hour on Sunday, so it will be light even earlier by this time next week.

What's so awful about daytime television?

Generally, daytime television seems to get a bad press, that it's cheap, lazy, time-filling programming, watched only by the elderly, house-bound, students, the unemployed and those who have nothing better to do with their time during the day. Which may be true, up to a point. The BBC doesn't do a copy of what ITV does with their programming, and manages to put out a fairly wide range of programmes from when Breakfast ends at 9.15 a.m. to around when the evening news is broadcast at 6p.m. If anything there seems to be an over-abundance of shows related to antiques and selling houses and make-overs. 'Homes Under The Hammer' is at least worth watching if only to see how prospective developers manage to make a good (or bad) job of restoring and decorating houses that at first glance are little more than disaster areas. It does at least encourage people to do up properties which were wrecks and so add to the housing stock instead of green space being built on. It's always interesting to see the results of developer's hard work and effort and it's not all about making vast profits from selling the properties in question. On the other hand, another house-selling show comes on mid-afternoon on BBC1, 'Escape To The Country,' where couples with more money than sense, having decided they want to give up city living and sell their homes and move away to some idyllic spot in the countryside. The presenters show them three properties which fit certain criteria, such as it has to has space for granny or grandpa, room for a herd of alpacas to graze, or perhaps have stabling for several horses or ponies as well have an ample-sized kitchen and perhaps views over rolling hills, meadows or the sea. I often wonder if they're just keen to show off their homes to their friends and family, and buy somewhere they can retire to which has far too much space and umpteen bedrooms which their guests can use when they visit perhaps once a year. Do they never think, when they're viewing these fantastic country properties, how far the nearest supermarket is, or the doctor's surgery or indeed, the nearest urban settlement, how much farm traffic they're likely to encounter on their way to work (wherever that may be) when they're very likely to be stuck behind a slow-moving combine harvester, tractor and trailer or herds of sheep being moved from one field to another, or even what it's like mid-winter then there's six foot of snow and the roads around their beloved property are closed off due to drifting show or there's ungritted road surfaces to deal with.

The BBC has a couple of shows which use recycling as the basis for their format, such as 'Money For Nothing' where the presenter, who is usually a designer/maker, visits a tidy-tip or recycling centre in a town and search out pieces of furniture and other material which people are bringing in to be scrapped and manages to remove these items before they are skipped. Then it is taken away to be restored and redesigned into new and improved pieces of furniture or whatever. What makes it remarkable is that these items, once they're tarted up, are sold on at profit and the money made is given to the people who dumped the items at the tidy-tip in the first place. A good example to us all that what we throw away and might find useless can become amazing once restored and given a new life, so saving them from land-fill.

There are some daytime television programmes which are useful, not merely in the schedules to fill up space. One such might be 'Fake Britain' which is sometimes shown in peak viewing time. It deals with consumer matters, mostly about items which are fake (hence the title, obviously) and some are items which you wouldn't otherwise think of as being faked, such as passports, electrical equipment such as hair straighteners, mobile chargers as well as websites which offer tickets for concerts and shows at knockdown prices but which turn out to be worthless. Also, all manner of scams which would go unnoticed until shows such as these alert the public to them.

Antiques seem to be something of an obsession on daytime television. 'Bargain Hunt' has been around for what seems like ages, first presented by David Dickinson and then Tim Wannacott, and more recently, since he left, it has been presented by a wide range of antiques experts which keeps it fresh and lively. Two teams of couples are given £300 to spend in an hour on antiques at various venues across the country and then attempt to make a profit at auction. Each team has an expert who helps them select their items and then, once they've bought their three items the expert spends what's remaining of the £300 on a bonus items which the teams can either accept or reject at auction. You can actually learn quite a lot from these sorts of shows as the experts discuss the various antique items the teams select. I had never heard of many of makers such as Lalique, Moorcroft or Clarice Cliff before I began watching this show. Later in the day there's 'Flog It' and later still, 'Antiques Road Trip' which is a programme where to antiques experts cross the country and stop at various towns with antique shops in them to buy items which are then sold at auction. The profit made is then given to charity.

There are now far too many gameshows on both channels. ITV has three which run one after the other, 'Tenable,' 'Tipping Point,' and 'The Chase.' It just seems cheap and simple for them to churn out this stuff, nothing wrong with either, although some of the questions on 'Tipping Point' and embarrassingly easy and an insult to anyone's intelligence, for example, 'what colour is the sky?' or' which month does Christmas fall?' Why do so many of the gameshows have such garish sets? The set for 'Tenable,' for example, is a really bright green. All have similar digital graphics and almost all have equally annoying sound effects, particularly when contestants win or something else happens during the course of game-play. Repetitive sounds which really get on your nerves, to say the least. 

Latest Television Viewing

We're totally captivated by Blue Planet 2. The photography is superb. I have to say I enjoy anything that David Attenborough attaches his name to. We had another wildlife documentary series on last year called 'The Hunt' which was just as captivating. Having recently bought a Hitachi 43 inch HD television,  this type of programme is a perfect viewing when you can see the amount of detail a set of this size reveals.

Carol recently bought a fish tank and we went to Dobbie's garden centre near Bletchley to buy two fish for the tank. I think the two fish are enjoying 'Blue Planet 2'. I'm sure they're watching the fish and other under-water inhabitants from the safety of their tank. There's a rock in the tank with a hollowed-out centre and they hide in this 'cave.' Meanwhile . . .  Alfie, or little Yorkshire Terrier, sits on the back of the sofa, just within view of the fish-tank which has been placed on a bookcase, and seems intrigued by our newest family members. It's difficult to judge what he makes of the fish, but no doubt it's the fact that they're moving about in their round home. We'll have to keep an eye on him to see that he doesn't interfere with the fish in their tank.

I have to say there's nothing like a really good bit of television drama. The BBC is renowned for it's classic adaptations of novels, probably best known for such things as 'Pride and Prejudice' with Colin Firth as Mr Darcey, which has to be the definitive version of the novel. So, when I heard that they were doing a new adaptation of 'Howard's End' I couldn't wait for it to be shown. At least if it's something that is adapted for television you know, generally speaking, that it will be given enough time to play out, unlike a film which will only have a couple of hour's screen time, in which case a great deal will have to be cut in order for it to fit a film's playing time.

'Howard's End,' the BBC adaptation of the E.M. Forster novel is extremely good. I have read the novel and saw the 1992 film version made by Ishmail Merchant and James Ivory and starring Emma Thompson and Anthony Hopkins. The new 4-hour production had a great deal to live up to. They seem to have spent a lot of time and effort on getting the period right. There's a real sense of place and the settings are well created.

We're currently enjoying a late-afternoon television show called 'Money For Nothing.' It's been running for quite a while. The idea is that Sarah Moore, a very clever designer/entrepeneur, visits local tidy-tips, where members of the public are taking their cast-off furniture, rubbish of all sorts, such as D.I.Y. remnants, doors, shelving, house-clearcut bits-and-pieces and takes stuff she likes (with these people's permission) and has it restored or made into new and exciting pieces of furniture which she then sells on, at a profit, and returns the profit to the people who took the broken and old items to the tidy-tip in the first place. It's part of the new culture of 'make and mend' or 'recycle.' Either this, or these items land up in land-fill. It just goes to prove that anything can be re-used or 're-purposed' into very stylish and chic pieces of furniture. This type of television programming makes a change from antiques and selling houses or mere trivial programmes about celebrities and gossip.

I love a really great comedy on BBC Four called 'Detectorists.' It's  written, directed and stars Mckenzie Crook together with Toby Jones. Very gentle, not laugh-out-loud comedy, doesn't have a cackling studio audience. Makes a change from a lot of comedy which is broad, noisy and brash. It's what I'd describe at thoughtful. There have only been two series and this will be the final series. A shame, but it probably went as far as it could. Hopefully McKenzie Crook will write more for television and probably film. Certainly a good start for a director and writer.

Sorry to say it, but I absolutely hate reality television and in particular, anything with 'celebrity' in the title. I'm certainly not a fan of things like 'Big Brother' or 'I'm A Celebrity, Get Me out of Here.' 'Strictly Come Dancing' drives me mad. I don't mind the dancing, but the hype that surrounds it, plus the awful audience clapping along with the music like tame monkeys and all that surrounds it, just not my idea of entertainment. The Saturday episodes go on interminably, and the comments of such as Craig Revel Horwood are just plain nasty at times. The whole thing is set up so that they get free publicity in the tabloid press and on social media. I'm not convinced that it's all 'live.' The Sunday evening results show must be pre-recorded, basically because I don't believe they'd send the audience home and then bring them back for the Sunday evening show. I still reckon it's recorded after the Saturday night show once the results have been decided.

Daytime Television. The Good, The Bad and The Dreadful

Over the past few months I have watched a more than average amount of daytime television. Probably because Carol has been off sick from work. I have to admit under different circumstances I wouldn't normally watch so much. When she was at work I might watch Bargain Hunt, or otherwise I can find something on catch-up or recorded on Sky Q from the previous day or from a few days or even weeks. Most of what is shown is, franky, mere trivia, but recently there have been some quite good programmes. Admittedly there are too many make-over shows and programmes about selling houses. Also wall-to-wall gameshows. It seems that all I.T.V. can make and show are things like 'The Chase' (probably the best at the moment), but surely 'Tipping Point' has some of the easiest questions for any gameshow. But it's addictive. Watching that machine moving backwards and forward and waiting with bated breath for the discs to fall in just the right place and then push others fall over and score points that make cash has a sort of hypnotic effect. Perhaps that's what they want to happen; sort of activating so they have a sort of captive audience. Countdown on Channel Four is addictive. At least it's intelligent. I'm fine with the word part, but when it comes to the maths section, I give up. Perhaps it's because you have just 30 seconds to work it out. If it was longer then I might have a chance. I love words and particularly word-origins, so that bit intrigues me.

There are some far better shows on more recently. One is in the afternoon at 3.45 on BBC1 and called 'Money For Nothing.' The premise doesn't sound particularly brilliant, perhaps not on paper, but actually works and keeps you hooked until the end. It starts off with a lady called Sarah Moore, who apparently won the first series of 'The Great Interior Design Challenge.' She visits a tidy-tip at a variety of locations across the country and hunts out people who are disposing of what are at first sight worthless bits of furniture, old chairs, wardrobes, and the most unlikely objects, such as washing machines, old bits of fence and a good deal more, which she takes away. She has, according to the voice-over, done in a sort of tongue-in-cheek style by Arthur Smith, that she has had 'special permission' to ask for and remove these otherwise gone-to-seed items. In other words, you, as a member of the public, cannot take any item from a tidy-tip. Actually I would say, once it's gone in the recycling bins there you can't remove it. Well, legally you can't. She has to select three items and then takes them away to either transform them herself or takes them to designers and makers who revamp them into new bits of furniture or uses part of them to make new items. These she sells on and the profit is returned to the people she took the original item from at the tidy-tip. The results are usually quite stunning. Although a very small minority haven't hit the mark, at least with us. But that is extremely rare.

'A Matter of Life and Debt' is the sort of programme that is fitting the BBC's public service remit to    'inform educate and entertain.' It's on mid-morning on BBC1. It's about credit unions, set up at various towns throughout the United Kingdom as an alternative place for people to save and take out debts so as to avoid taking on loans from loan sharks or pay-day loans which charge outrageously high interest rates. Sometimes it's so people, who have poor credit ratings and would never get a loan from more traditional sources such as high street banks. Some people want cash to buy furniture for their home or have a holiday but a lot of them use the cash to set up a business or to expand an already existing business such as a dog-walking company or hairdresser's.